Harold Pinters The Homecoming was first performed in 1965. Peter
Hall’s sensitive and faithful adaptation charts the smouldering
hatred and resentment contained inside a North London family reunion
and the battle of wills within. Outstanding performances from the
ensemble cast come courtesy of Ian Holm, Cyril Cusack, Paul Rogers
and especially Vivian Merchant’s charismatic Ruth.
Teddy (Michael Jayston) is a successful academic in the United States,
and arrives at his family's North London home in the middle of the
night with his wife Ruth (Vivien Merchant), about whom the family
know nothing even though the couple have been married for six years
and have three children. The household is totally male: contemptuous
father Max (Paul Rogers), a retired butcher, lives with his bachelor
brother Sam (Cyril Cusack), a chauffeur, as well as Teddy's two younger
brothers, glib pimp Lenny (Ian Holm) and dim-witted boxer Joey (Terence
Rigby).
Before Teddy and Ruth enter we witness some assumedly everyday interchanges
between the family, under which lie simmering hatreds and resentments.
Ruth appears ordinary enough, but rather than retire to bed she stays
up and becomes involved in a provocative exchange with her husband’s
brother Lenny. The increasingly surreal behaviour continues at the
family and Ruth debate terms for her being set up as a prostitute
working from one of Lenny’s flats.