Ben Hopkins' surreal arthouse fantasy The Nine Lives of Tomas Katz
is a strikingly youthful slice of film-making that is influenced by
German expressionism, Pete’n’Duds Bedazzled, The Goons,
Monty Python and early Derek Jarman. Shot largely in B&W with
sepia tinted segments, the low-budget apocalyptic tale fuses muddled
MTV-generation symbolic imagery with hit-and-miss black humour.
The story follows a mysterious alien traveller Tomas Katz (Thomas
Fisher) who emerges from a hole beside the M25 and hitches a ride
to London in a black cab. A total eclipse of the sun is due later
in the day, and, as the stranger sequentially takes on the identity
of everyone he meets (taxi driver, government minister, London Underground
controller, security guard etc.), chaos spreads in the capital, observed
by a blind, rotund Metropolitan Police Chief (Ian McNeice) who senses
danger and has connections with the astral plane.