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Yellow Submarine |
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Yellow Submarine - 1968 | 87 mins | Animation, Musical | ColourThe Production TeamDirector: George Dunning. Producer: Al Brodax. Script: Al Brodax, Roger McGough, Jack Mendelsohn, Lee Minoff and Erich Segal. Cinematography: John Williams. Editing: Brian J. Bishop. Animators: Alan Ball, Diane Cowther, Tom Halley, Charlie Jenkins and Dave Livesey. Songwriting: George Harrison, John Lennon and Paul McCartney. Music Direction: George Martin. |
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The CastPaul Angelis - Chief Blue Meanie/Ringo Peter Batten - George John Clive - John Dick Emery - Jeremy Hilary Boob, Ph.D/Lord Mayor George Harrison - Himself Geoffrey Hughes - Paul John Lennon - Himself Paul McCartney - Himself Lance Percival - Old Fred Ringo Starr - Himself |
Plot SynopsisProbably the most fondly remembered of the four Beatles movies, Yellow Submarine's hallucinogenic, dazzling animation still looks pretty good away from the acid enhanced glare of 1968. This trip through a psychedelic universe in a big old sub works best as a reminder of just how influential the Beatles were. The perfunctory story has John, Paul, George and Ringo attempting to rescue Pepperland, a music-loving community, from an invading army of Blue Meanies whose hatred of all things melodic is evident in their turning all the inhabitants to stone. They travel there in the titular U-boat, having one weird encounter after another: a universe filled entirely with holes, a time-warp that speeds up the ageing process, and so on. Plus, of course, there's a string of tuneful set pieces, from Nowhere Man and Lucy in the Sky with Diamonds to the title track. None of it makes a great deal of sense and the plot loses steam after
the first hour before rallying for the elaborate finale. But Yellow
Submarine's deliriously silly humour, off the wall charm and wildly
imaginative imagery (it might be billed as a family film, but there's
some seriously scary stuff here) paper over any cracks in the storyline
and most of the occasionally wayward vocal impersonations. Perhaps
most importantly, though, it paints a vivid and very welcome picture
of a pop group actually having fun with their craft - which becomes
evident when the real Beatles pop up at the end. A garish, gorgeous
example of pop art at its finest. |
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