Sliding Doors was a success largely deserved as director/screenwriter
Peter Howitt finds an original way to breathe new life into the Brit
take on romantic comedy. The flight of fantasy structure sees Helen
(Gwyneth Paltrow), a PR. minion sacked for borrowing the office vodka,
experience two completely different versions of life by sheer dint of
whether or not she catches a train. In version one, she makes the train,
hooks up with likeable James (John Hannah) before arriving home early
to find live-in lover Jerry (John Lynch) in the sack with brash yank
Lydia (Jeanne Tripplehorn); in version two, she just misses the train,
gets mugged, arrives home just after Jerry and Lydia have finished their
cavorting and continues to carry on the relationship only slightly aware
that something is awry.
Yet while Howitt gets cute mileage out of intercutting the two alternating
realities the cuckolded Helen rebuilds her P.R. career and hesitantly
starts a relationship with James, the ignorant Helen begins working
in a sandwich shop as Jerry continues to be unfaithful - the fact that
the Paltrow/Hannah axis is so enjoyable creates a structural imbalance,
resulting in the Paltrow/Lynch plotline feeling somewhat dull. That
said, there is loads to like about Sliding Doors; the very notions the
story spins-on - the power of fate, that there is someone for everyone
- are imbued with a sweet disposition. Paltrow does wonders with the
dual role, throwing in a spot on English accent to boot, whereas Hannah
breezes through the romantic foil with eminent likeability
Although occasionally feeling like a sitcom Howitt conducts everything
with a light touch, regularly engendering wry smiles rather than out
and out laughs.
Review© Ian Freer.