Playwright and TV crime dramatist Anthony Neilson's feature debut is
a creditable addition to the long line of hard, mean, atmospheric British
thrillers.
After his release from prison, a reformed murderous debt collector,
Nickie Dryden (Billy Connolly) has become a best-selling auto-biographer
and feted sculptor. Now married to posh, crusading writer (classy, arty
Annis), he enjoys a new high life as a media darling. This doesn't sit
well with embittered cop Keltie (Ken Stott) who nailed him 18 years
earlier, and he hounds Dryden hoping to catch him out or goad him back
into his old ways. Dryden's track record was to collect debts by torturing
or killing someone close to the debtor. Unknown to Dryden or Keltie,
disturbed teenager Flipper (a blood curdling Robertson) is obsessed
with Dryden's criminal career and embarks on his own brutish spree to
emulate and impress his hero. When the three paths cross, things get
very ugly indeed.
Neilson takes the honoured basics of crime melodrama and adds the
curious modern mania for bestowing celebrity Connolly appropriately
plays the intimidating Dryden close to his chest. Stott is thought provoking
as the good guy whose obsession with what he perceives as right proves
a catalyst for tragedy and ironic twists. Neilson also throws in some
photogenic, if unnecessary, Scottish colour (notably a climax during
the Military Tattoo at Edinburgh Castle), adding some gloss to an effective
dark thriller.
ReviewİAngie Errigo.