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The Foreman Went to France |
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The Foreman Went to France - 1942 | 87mins | War, Comedy | B&WThe Production TeamDirector: Charles
Frend. Producer: Michael Balcon. Associate Producer: Alberto Cavalcanti. Production Manager: John Croydon. Unit Manager: Hal Mason. Script: Angus MacPhail, John Dighton and Leslie Arliss. (from a story by J.B. Priestley) Cinematography: Wilkie Cooper. Art Direction: Tom Morahan. Editing: Robert Hamer. Music: William Walton. Sound Recordist: L. Page. Musical Direction/Supervision: Ernest Irving. Sound/Sound Designer: Eric Williams. |
The CastTommy Trinder - Tommy |
Plot SynopsisThe Foreman Went to France, which was based on the real
experiences of one Melbourne Johns, who managed to retrieve some vital
machinery from under the noses of the advancing Germans. Clifford Evans
played the foreman, renamed Ted Carrick for the film, who surmounts the
obstacles of red tape to reach France, and then faces dive-bombers, refugee-clogged
roads, spies disguised as British soldiers and the ever-advancing enemy.
He falls in with a pair of tommies separated from their unit, one played
by the comedian Tommy Trinder, the other by the Scottish actor Gordon
Jackson, who was suggested for the part by the playwright James Bridie.
Their adventures are shared by an American girl (Constance Cummings).
The French sea captain who eventually brings the group back to Britain
was identified in the credits as Francois Sully, although he is easily
recognised as the corpulent British character actor, Francis L. Sullivan,
an example of Ealing's occasional whimsicality.
The film portrayed a small group of people from different walks of
life beset by great odds, but winning through together, and it was the
most satisfying Ealing war film to date, establishing what was to be
a formula for many serious films and several of the post-war comedies.
Frend's approach, following a narrative storyline that was written by
J. B. Priestley, and scripted by John Dighton, Angus MacPhail and Leslie
Arliss, was steady and careful. The only palpable directorial flaw was
the casting of Trinder, who was allowed to play in a much broader vein
than the others, and undoubtedly many people were lured into the cinema
expecting an entertainment in the 'You Lucky People!' vein. |
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