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Pink String and Sealing Wax |
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Pink String and Sealing Wax - 1945 | 89 mins | Drama | B&WThe Production TeamDirector: Robert
Hamer. Producer: Michael Balcon. Associate Producer: S.C. Balcon. Script: Diana Morgan and Robert Hamer. (from a play by Roland Pertwee) Production Supervisor: Hal Mason. Cinematography: Richard Pavey. Camera Operator: Harold Julius. Art Direction: Duncan Sutherland. Costume Design: Bianca Mocsa. Wardrobe Supervisor: Marion Horn. Make-up Artist: Ernest Taylor. Editing: Michael Truman. Sound Supervisor: Eric Williams. Sound Recordist: A.E. Rudolph. Music: Norman Demuth. Musical Direction: Ernest Irving. |
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The CastMervyn Johns - Edward Sutton Googie Withers - Pearl Bond Gordon Jackson - David Sutton Sally Ann Howes - Peggy Sutton Mary Merrall - Mrs Sutton Jean Ireland - Victoria Sutton Colin Simpson - James Sutton David Wallbridge - Nicholas Sutton Frederick Piper - Doctor |
Plot SynopsisRobert Hamer directed this melodramatic view of Brighton in the 1890's, Pink String and Sealing Wax may be a whimsical title but the subject matter certainly isn't, adapted by Hamer himself and Diana Morgan from a play by Roland Pertwee. Mervyn Johns plays a chemist and public analyst, an autocratic father who holds his children in close restraint. His son (Gordon Jackson), whose romantic attempts are thwarted by his father, rebels and seeks solace in a local public house, where he becomes besotted by the landlord's wife (Googie Withers). She uses the young man in a plot to kill off her husband, obtaining the poison from the chemist's shop. When the public analyst is asked by the suspicious police to inspect the exhumed body, the woman tries to blackmail him by threatening to implicate his son. He refuses to be diverted from his stern path of duty, and the woman
throws herself into the sea, allowing a sort of happy ending, for the
son is at last allowed by his father to pursue his original romantic
intentions. The pacing of the film led to a very slow build-up, with
a lot of attention paid to a sub-plot in which, just as the son is frustrated
by his father, so the daughter is faced with impossible difficulties
in attempting a singing career. The publican's wife, for all her flirtatiousness
and open sensuality, is as much a prisoner of her situation as the young
man; her passions are kept in restraint by a dreary husband, and her
actions arise from a desperate last attempt to escape rather than from
cold, calculated wickedness. The film, like much of Hamer's work, is
elegantly conceived, with the starch and bombazine of the era faithfully
reproduced, and Googie Withers is excellent, drawing considerable sympathy
to the part of a murderess. |
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