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The Captive Heart |
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The Captive Heart - 1946 | 104 mins | Drama | B&WThe Production TeamDirector: Basil
Dearden. Producer: Michael Balcon. Associate Producer: Michael Relph. Script: Angus MacPhail and Guy Morgan. (story by Patrick Kirwan) Production Supervisor: Hal Mason. Cinematography: Douglas Slocombe. Second Unit Cinematography: Lionel Banes. Camera Operator: Jack Parker. Art Direction: Michael Relph. Assistant Art Director: Jim Morahan. Costume Design: Mark Luker. Special Effects: Cliff John Richardson. Editing: Charles Hasse. Sound Supervisor: Eric Williams. Sound Recordist: Len Page. Music: Alan Rawsthorne. Conductor: Ernest Irving. |
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The CastMichael Redgrave - Captain Hasek Mervyn Johns - Private Evans Basil Radford - Major Dalrymple Jack Warner - Corporal Horsfall James Hanley - Private Matthews Gordon Jackson - Lieutenant Lennox Ralph Michael - Captain Thurston Guy Middleton - Captain Grayson Jack Lambert - Padre Rachel Thomas - Mrs Evans |
Plot SynopsisMichael Balcon's wife, Aileen, who was South-African born, had devoted the war years to working for the British Red Cross and had been closely involved in helping repatriated prisoners-of-war, he felt that there was good subject matter in a story about a group of Britons following their experiences from capture through to release. Shot in the British zone of Germany, The Captive Heart was to have been called Lover's Meeting, but the novelist Lady Eleanor Smith instituted a passing-off action, as one of her works bore the same title. Ordinarily there would have been no chance of it succeeding as there was no similarity between the stories, but, as the novelist was on her deathbed, Balcon gallantly relented and ordered his title to be changed. The original story by Patrick Kirwan was scripted by Angus MacPhail and Guy Morgan, the latter an ex-journalist who had himself been confined in the prisoner-of-war camp, Marlag Milag Nord, which the British Army of Occupation permitted to be used for filming. Basil Dearden directed the film and the actors included Michael Redgrave, Basil Radford, Ralph Michael, Gordon Jackson, Derek Bond and Guy Middleton as officers, with Jack Warner, Jimmy Hanley and Mervyn Johns as other ranks, and Rachel Kempson, Jane Barrett, Gladys Henson and Rachel Thomas as the women waiting for their men to come home. Redgrave played an impostor, a Czech who had escaped from a concentration camp and adopted the identity of a dead Briton. Taken prisoner, he is forced to keep up the masquerade, even to the extent of corresponding with the dead man's widow who believes that her husband has had a change of heart over their marriage, which was in a shaky state. (The handwriting problem is glossed over with the suggestion that he writes with his left owing to an injury.) Naturally, when repatriation time comes round, the lady gets a shock. The film follows the Ealing method of throwing a disparate group of
people together in a situation of adversity, and showing how they cope.
When the prisoners are subjected to Nazi loudspeaker indoctrination
they respond with a lusty rendering of "Roll out the barrel".
When, after the commando raid on Sark, the Germans defy the Geneva convention
and order the prisoners to be manacled, the spry young cockney (Jimmy
Hanley) has everyone's locks picked in a trice. Jack Warner, in his
first film for Ealing, and who had hitherto been regarded as a popular
comedian is given a characterisation, that of a genial corporal, that
is in many ways the prototype of those which follow; and even his wife,
with whom he has a touching reunion, is played by Gladys Henson, who
will later be Mrs Dixon in The Blue Lamp when he plays his most famous
role of PC Dixon for the first time. |
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