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Bitter Springs |
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Bitter Springs - 1950 | 89mins | Drama | B&WThe Production TeamDirector: Ralph Smart. Asst Director: Michael Forlong and David Moore. Producer: Michael Balcon. Associate Producer: Leslie Norman. Script: W.P. Lipscomb and Monja Danischewsky. (from a story by Ralph Smart) Cinematography: George Heath. Art Direction: Charles Woolveridge. Editing: Bernard Gribble. Music: Ralph Vaughan Williams. Conductor: Ernest Irving. |
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The CastTommy Trinder - Tommy Chips Rafferty - Wally King Gordon Jackson - Mac Jean Blue - Ma King Charles Tingwall - John King Nonnie Piper - Emma King Nicky Yardley - Charlie |
Plot SynopsisBitter Springs was the third Ealing release to be made
in Australia, directed this time by Ralph Smart who had been Harry Watt's
associate producer on The Overlanders. Bitter Springs is the leas successful
of the trio, and concerns turn-of-the century pioneers who trek 600 miles
to reach land they have bought from the government, only to find it in
the possession of an aborigine tribe who have been settled there for centuries
and who, as the water supply is only just adequate to support them are
not eager to yield to white settlers. There are nasty incidents, an aborigine
is murdered, the whites are rescued from siege by the arrival of mounted
troops, and the film ends with promises between the two factions to behave
and co-operate, a somewhat crude and desperate piece of plot construction.
The cast included Tommy Trinder as an ex-circus performer who apparently
does not even know how to mount a horse; as in the majority of serious
Ealing films he made, Trinder's performance is at variance with the
prevailing mood. Chips Rafferty, by now the British idea of a professional
Australian, leads the settlers, and the party includes the stalwart
Gordon Jackson, a favourite Ealing stock player. It was the last Ealing
film to be made at Pagewood for, in spite of the efforts Balcon had
made to help the establishment of regular Australian production, Canberra
decided not to extend the lease any further, arguing that films were
nonessential and the leaseholders non-resident. |
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