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Hey! Hey! USA |
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Hey! Hey! USA - 1938 | 92 mins | Comedy | B&WThe Production TeamDirector: Marcel
Varnel. Producer: Edward Black. Script: Marriott Edgar, Val Guest, J.O.C. Orton and Frank Launder. (from a story by Jack Swain, Howard Irving Young and Ralph Spence) Cinematography: Arthur Crabtree. Editing: R.E. Dearing. Art Direction: Alex Vetchinsky. Sound Department: W.S. Salter. Music Direction: Louis Levy. Music: Cecil Milner. |
The CastWill Hay - Benjamin
Twist Edgar Kennedy - Bugs Leary David Burns - Tony Ricardo Edward Ryan - Ace Marco Fred Duprez - Cyrus Schultz Paddy Reynolds - Mrs. Schultz Tommy Bupp - Bertie Schultz Arthur Goullet - Henry 'Gloves' Johnson Gibb McLaughlin - Ship's Steward Eddie Pola - Broadcast Announcer Peter Gawthorne - Captain Roddy McDowall - Urchin on Dock |
Plot SynopsisWill Hay, the master of niggling irascibility, meets Edgar Kennedy, the master of smouldering rage. One might expect a rather jarring clash between comedians of such different styles, but it is not their failure to work together which cripples the film - they complement each other wall enough - a turgid plot in which Hay has to masquerade as an education expert thrown into the company of Kennedy, a racketeer and follow stowaway on the same America-bound liner. There are some amusing scenes on board ship, especially a tortuous history lesson which Hay gives to a bored and contemptuous pupil whose wealthy parents have asked him to supervise their son's education. There is also a good episode in which, as the guest of the couple at their Chicago home, he has to make an impromptu talk on education for a commercial radio network. His floundering is sabotaged every few moments by an announcer eager to extol the virtues of a brand of cereal, which the exasperated Hay ends by sardonically endorsing. But his pedagogic bluff is jettisoned in favour of a laboured kidnapping plot in which Hay is entrusted with the ransom money by the boy's distraught parents. It is Kennedy, of course, who turns up to collect the loot, and the couple find themselves caught between two rival gangs. The film has to resort to such desperate shifts as Hay 'blacking up' to take part in an Emancipation Day parade which ends in a chase round Lincoln's statue where the ransom money has been hidden. If this film was an attempt to got Hay accepted by an American public, it cannot be considered a success, for neither the alien setting nor the strained plot allow his character room to expand. |
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