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Never Take Sweets from a Stranger |
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Never Take Sweets from a Stranger - 1960 | 81 mins | Drama | B&WThe Production TeamDirector: Cyril Frankel. Producer: Michael Carreras and Anthony Hinds. Script: John Hunter. (based on the play The Pony Cart by Roger Garis) Cinematography: Freddie Francis. Film Editing: Alfred Cox and James Needs. Art Direction: Don Mingaye and Bernard Robinson. Makeup Department: Roy Ashton and Henry Montsash. Sound Department: Alfred Cox and Jock May. Original Music: Elisabeth Lutyens. |
The CastGwen Watford - Sally Carter Patrick Allen - Peter Carter Felix Aylmer - Clarence Olderberry Sr. Niall MacGinnis - Defense Counsel Alison Leggatt - Martha Bill Nagy - Clarence Jr MacDonald Parke - Judge Michael Gwynn - Prosecutor Janina Faye - Jean Carter Frances Green - Lucille |
Plot SynopsisDaring Hammer film dealing with paedophilia in small town Canada - although filmed in Britain under Cyril Frankel’s sensitive direction. Based on the play 'The Pony Cart' by Roger Garis, the audacious for its time story conveys the Canadian atmosphere remarkably well and builds towards a surprisingly disturbing climax. Both Gwen Watford and Patrick Allen are completely credible while Alison Leggatt is well-served by John Hunter's script as a pragmatic and cynical grandmother. The outstanding Felix Aylmer doesn't utter a word throughout but gives a terrifyingly accurate study of decaying evil. An English couple emigrate to the small Canadian town of Jamestown. The father, Peter Carter (Patrick Allen), takes up the post of headmaster at a local school, but then his nine-year-old daughter Jean is encouraged to dance naked by elderly local bigwig Clarence Olderberry Sr. (Felix Aylmer), the Carter’s instigate a sexual abuse case. In court the distraught parents run into a wall of antipathy from the townspeople who side with the man who has helped to build their prosperous town. However, despite having spent time in a sanatorium and previous abuse incidents on record, the case is lost and Olderberry is set free. Later, when Jean and Lucille are playing in the woods, Clarence Olderberry appears and begins to pursue the children. |
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