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Never Take Sweets from a Stranger

Film still

Never Take Sweets from a Stranger - 1960 | 81 mins | Drama | B&W

The Production Team

Director: Cyril Frankel.
Producer: Michael Carreras and Anthony Hinds.
Script: John Hunter. (based on the play The Pony Cart by Roger Garis)
Cinematography: Freddie Francis.
Film Editing: Alfred Cox and James Needs.
Art Direction: Don Mingaye and Bernard Robinson.
Makeup Department: Roy Ashton and Henry Montsash.
Sound Department: Alfred Cox and Jock May.
Original Music: Elisabeth Lutyens.

The Cast

Gwen Watford - Sally Carter
Patrick Allen - Peter Carter
Felix Aylmer - Clarence Olderberry Sr.
Niall MacGinnis - Defense Counsel
Alison Leggatt - Martha
Bill Nagy - Clarence Jr
MacDonald Parke - Judge
Michael Gwynn - Prosecutor
Janina Faye - Jean Carter
Frances Green - Lucille

Plot Synopsis

Daring Hammer film dealing with paedophilia in small town Canada - although filmed in Britain under Cyril Frankel’s sensitive direction. Based on the play 'The Pony Cart' by Roger Garis, the audacious for its time story conveys the Canadian atmosphere remarkably well and builds towards a surprisingly disturbing climax. Both Gwen Watford and Patrick Allen are completely credible while Alison Leggatt is well-served by John Hunter's script as a pragmatic and cynical grandmother. The outstanding Felix Aylmer doesn't utter a word throughout but gives a terrifyingly accurate study of decaying evil.

An English couple emigrate to the small Canadian town of Jamestown. The father, Peter Carter (Patrick Allen), takes up the post of headmaster at a local school, but then his nine-year-old daughter Jean is encouraged to dance naked by elderly local bigwig Clarence Olderberry Sr. (Felix Aylmer), the Carter’s instigate a sexual abuse case. In court the distraught parents run into a wall of antipathy from the townspeople who side with the man who has helped to build their prosperous town. However, despite having spent time in a sanatorium and previous abuse incidents on record, the case is lost and Olderberry is set free. Later, when Jean and Lucille are playing in the woods, Clarence Olderberry appears and begins to pursue the children.