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The Gorgon |
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The Gorgon - 1964 | 83 mins | Horror | ColourThe Production TeamDirector: Terence
Fisher. Producer: Anthony Nelson Keys. Script: John Gilling. (from a story by J. Llewellyn Devine) Cinematography: Michael Reed. Editing: Eric Boyd-Perkins and James Needs. Art Direction: Bernard Robinson and Don Mingaye. Special Effects: Sydney Pearson. Costume Design: Rosemary Burrows. Make-up: Roy Ashton. Original Music: James Bernard. |
The CastChristopher Lee
- Prof. Karl Meister Peter Cushing - Dr. Namaroff Richard Pasco - Paul Heitz Barbara Shelley - Carla Hoffman Michael Goodliffe - Professor Jules Heitz Patrick Troughton - Inspector Kanof Jack Watson - Ratoff Joseph O'Conor - Coroner Redmond Phillips - Hans Jeremy Longhurst - Bruno Heitz Toni Gilpin - Sascha Cass Joyce Hemson - Martha Prudence Hyman - The Gorgon |
Plot SynopsisTerence Fisher returned to the Hammer fold to direct the John Gilling scripted gothic horror The Gorgon, and re-united himself not only with composer James Bernard and production designer Bernard Robinson, but with Christopher Lee and Peter Cushing, too. This time, however, it is Lee who is the good guy. As Professor Meister (Lee), he travels to an isolated Transylvanian village to discover what has become of his son. As it transpires, the village is being terrorised by Magera, a Gorgon from Greek fable with hissing serpents in her head of hair, who can turn those who dare look into her eyes to stone, one of her victims being the good Professor's son. As she can also assume the identity of unsuspecting villagers, this makes her harder to track down and destroy. Her 'cover' proves to be Carla Hoffman (Barbara Shelley), an assistant to the local brain surgeon, Namaroff (Peter Cushing), who not only knows and shields her true identity, but is also lusting after her! This leaves university professor, Meister, to lead the forces of good to eventual victory. Despite its inadequate effects, The Gorgon has its admirers; the film is heavy on atmosphere if not thrills. A rather talkative affair, its best moments come when the action shifts to the crumbling castle where Magera lurks, waiting for her victims. |
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